In which musclebound Madge tries to convince us that she’s really a sensitive little flower at Kabbalah-coddled heart, all to a sympathetic and warmly electronic soundtrack from Mark “Spike” Stent and not the marvellous Mirwais who wove such wonder into the rest of the Music album. The girl speaking at the start is Charlotte Gainsbourg (in the film adaptation of Ian McEwan’s The Cement Garden), who went on to trump anything Madonna’s done this century with her own 5.55 album in 2006. She’s been too quiet since.
Unlikely as it seems, Madonna drives home the little-girl-lost shot with some distinction. Junior sulked because she wasn’t allowed to put the CD in the brand new stereo herself, and simply sat on her little chair, swinging her legs, no doubt wondering whether Dad would ever understand.