I imagine 1981 was an exciting time for a properly sentient pop being. For me, everything was new yet everything was normal, but for the seasoned listener the sands were shifting – punk was gone, disco was (almost) gone, new wave was evolving, everyone had a synth and they were gonna use it. Who knew how it would all turn out? There were atrocities to come as the ‘80s took wing, but New Order, Pet Shop Boys, Juan Atkins, Derrick May, Phil Oakey, Arthur Baker and other visionaries showed technology could be handled with care and flair.
We find Green Gartside on the cusp, edging away from the dubness of early Scritti Politti singles to find a polished white soul sound wedged somewhere between lovers rock and dreamy new romanticism. Later his music would become so polished you could barely stop it slipping off the turntable, but there are still rough edges here: Robert Wyatt’s creepy, shimmering keys; mild echo and fizz; loose structure. Ever the philosopher, Green sings about the ‘sweetest girl’ through the prism of political theory – too detached to be romantic, too sweet to be dry.
Although there are still shouts for The Beatles from the back of the car, Junior concedes she likes the song, eventually asking me to turn it up. “Scritti Lippy” as she calls them – combining her twin passions of chapstick and not listening properly – can be a bit sticky for some, but she’s got a sweet tooth.
Politics is prior to the vagaries of science: