Look at the video for this, the Vince Clarke mix. With his floppy hair, tatty hoody and pissholes-in-the-snow eyes, Shaun Ryder set a template for a generation of teenagers who wanted to achieve that blissed-out E’d-up look. Trouble was, we were buzzing off our nuts on a combination of Woodpecker cider and Fisherman’s Friends. We had breath that could cut dry ice, and our love for our fellow man bordered on the surly.

You had to get the correct hoodies too. Hanes had the best texture and weight, but they cost 20 quid and the cider was soaking up most of the cash. Top Man did some thin versions with self-consciously trippy patterns. These would ride up to make you look like a bellydancing Bez. Who’d defected to Candy Flip.

So we were never quite right, but the music was. Until this point, I’d always felt as if I was catching up, picking up on bands and movements as their time was passing. Whatever you want to call it – baggy, Madchester, indie dance – we were watching it unfold this time. Strands of house, techno, Balearic, acid, rock and pop mixed into a heady potion that could even make white schoolboys dance.

As a girl, Junior’s not afraid to dance, and this had her rocking. She threw in a maniacal cackle at the start. Maybe she’s seen pictures of that purple Aztec-design hooded top.