[17] Mark Ronson & The Business Intl, ‘Bang Bang Bang’

Mark Ronson & The Business Intl

The first song to make a meal of ‘Alouette’ this year does it with every bleeding idea that occurs to it. Cheryl Cole’s ultra-mannered take is bewildered, this is just bewildering. Ronson has gone back to the 80s, but rather than plunder plinky-plonk synths like every other La Roux under the sun, he turns to that decade’s forgotten everything-goes ethos and finds something cogent in a mix of squirty electro, Prince soul, teeny bop and bouncy hip hop nursery rhymes. If this doesn’t prove the man has mad skillz then nothing does.

In fact, these are just the latest in a long line of ‘Alouette’ bastardisations. Junior’s reminded of another she learned on holiday in Corfu with frankly manic dance actions to go with it. She then adds some more jerky steps, seemingly filched off Go-Jos routines from early Top Of The Popses. We have a right old ball. And that’s Ronson’s bag.

[20] Beth Orton, ‘Best Bit EP’

An acquired taste, Beth Orton’s voice, but Junior seemed to have some appetite. She swung jerkily from side to side, rather like a Go-Jo on an early Top Of The Pops, and clacked her castanets in time. I think we’ll introduce more accompanying instruments as this chart goes on.

We listened to ‘Best Bit’ itself (and a tiny bit of the lovely Terry Callier duet, ‘Lean On Me’). The lead track has the timbre and widescreen delta feel of Bobbie Gentry’s ‘Ode To Billie Jo’; it might also read like a sequel. Grand claims aside, it’s a fine piece of mood music that makes a decent fist of not going anywhere.

Two more things about our Beth before we go: she gave the most impressively drunk performance I’ve seen, at Glastonbury a few years ago; her name is a misplaced letter from greatness.