[4] Arcade Fire, ‘Reflektor’

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Speaking of misunderstood albums…

No, this is ‘Reflektor’ the track, the epic they had to come back with once James Murphy was in the room. Maybe a three-minute pop song would’ve been a more radical statement, but as soon as they all got together you imagine they wanted to show everything they could do. Absolutely everything. Junior is fascinated by Regine Chassagne singing in French, but the moment belongs to Junior’s mum who wins the Spot David Bowie game. It’s not just his signature baritone; it’s the point at which a pretty smart kinetic groove turns on the trombone-honking thrills to confirm this is more than just the Lo-Fidelity Allstars rebooted. Which counts as a compliment in 2013.

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[7] Justin Timberlake, ‘Mirrors’

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Once you’ve got over the initial disappointment that the intro doesn’t lead into a Steve Winwood 80s CD-rock wad-waver, you’ll find ‘Mirrors’ is soppy R&B at its crunchiest, capturing my girls hearts as they “Uh-oh” and clap hands right up until the fifth minute, when it starts to feel like Timberlake’s bent on soundtracking his entire six-year absence in real time.

The first few minutes is about as tight a pop song as he’s delivered this year, in a comeback that’s otherwise designed to make Arcade Fire’s Reflektor feel like a masterclass in 60s beat-group concision. I can’t get too het up about these grossly indulgent records when they’re creaking with ideas – and The 20/20 Experience is, some ordinary, some inspired. It’s better than heaving your sorry bones all the way to track 14 on an immaculately presented, identikit One Direction album. Everyone could use an editor, but some editors’ jobs are easier than most.