“How can this be so high when there have been so many great songs?” Junior isn’t happy. “It’s not as exciting. He doesn’t sound happy.”

Which says something about her criteria when judging pop songs, and pretty solid criteria they are too. Of course, Stuart Murdoch isn’t very happy, at least not to begin with, because ‘Nobody’s Empire’ tackles the ME that debilitated him in the 1990s and still rears up occasionally. But, with his favourite layering effects that lifted ‘The State I Am In’, ‘The Boy With The Arab Strap’ and ‘I’m A Cuckoo’ to the heavens, Murdoch eventually elevates this to something approaching ecstasy. A note of hope, certainly.