tUnE-yArDs, ‘Bizness’

tUnE-yArDs

This is absolutely brilliant.

Will that do?

Perhaps not. Merrill Garbus’s debut album BiRd-BrAiNs was interesting at least, if a little raw in the middle. Ideas pinged off the walls, but one man’s slab of flibbertigibbet genius is a slightly more dour man’s tricksy mess – you could’ve filed Garbus under “challenging” and left her back there in 2009. So, hands up and amen for this dazzling heap of (pretty cohesive) joy.

The sound’s fatter this time and Garbus belts her happy defiance over what I’m calling human-marimba, rousing blasts of horn, saxophone and – hmmm – Zairean guitar. In short, the kind of thing Vampire Weekend might do if they kicked off their deck shoes, sank another couple of Martinis, replaced Andrew McCarthy with Annabella Lwin and had sex.

Junior’s hearing reverb and speed. Or, “I like it because it’s fast and her voice is echoing.” It’s a shot of get-up-and-go for a day’s school, and for the year in general.

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