[4] Solange, ‘Cranes In The Sky’

solange-2016

“She definitely sounds like her sister,” Junior confirms. “I find it kind of good,” says Junior 3. “I like the echoing in the background,” says Junior 2. “When she sings, it echoes out.” If only NME still existed, they’d have some new hip young gunslingers.

It does echo out, away, away, away. Dear me, Solange has taken her time being appreciated as a voice of a generation. We were right there with ‘Sandcastle Disco’ (OK, we missed the first album, who didn’t?) and cheered her on as Dev Hynes dragged her beneath the commercial waterline. I mean, we weren’t enjoying the abject lack of success, we just liked the music. There’s no faulting Hynes’ anti-Midas touch though.

Now Solange is speaking up. A Seat At The Table is sharp and sure of itself, and ‘Cranes In The Sky’ is the Minnie Riperton comeback we’ve been waiting for.

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