The best song wasn’t the single. Takes me back to those blurred boundaries I dithered around back at No.20, because, essentially, I was just seeding this. I could’ve called this 2016 Top 20 Tracks, but singles are magical and if ‘Ivy’ can get Pitchfork’s Best New Music (i.e. be picked out of an album for promo) then that’s basically a single, isn’t it? These days. These new-fangled days.
Now I’m kicking myself for not making Joanna Newsom’s ‘Good Intentions Paving Co.’ the best single of 2010. Or ever.
‘Ivy’ is the best track, single, song of the year because Frank Ocean’s a storyteller with his heart out front, the guitar sounds like Ultra Vivid Scene, there’s no beat, there’s a tale that pulls you into its subversion of guilt and regret, he uses his range to hammer home shifting feeling from the “GOOD!” that desperately affirms everything’s OK to the screaming “dreaming” and the plaintive “me too” in between. He’s an extraordinary performer who makes the assumption you’re in his world – and you are, you’re invested in it.
I mean, take this: as soon as Ocean sings, “I thought that I was dreaming…”, Junior 2 snores. She’s in his hands from the first second (or taking the piss). “I’ve heard it,” she says. “He has a cute voice. It’s very impressive that he’s telling a story.” We talk about Rostam Batmanglij, who’s involved somewhere – the girls are big Vampire Weekend fans. Junior’s worried Frank and Rostam’s diaries won’t coincide enough for them to do it on tour. “They’ll have to bring someone else on.”
“I like the screaming now,” says Junior 3. She then does the “dreaming” screaming until told to shut up.
As we wrap up, as the final scream warps itself away, Junior 2 has a question. It’s a big one. “What’s he going to do now?”
Whittle a nest of tables, probably.