Like Billie Ray Martin performing ‘I Don’t Believe’ on Later… Héloïse Letissier’s insouciant dance moves feel more effective than meticulous, highly drilled choreography. It’s a slow revelation of emotion, a vulnerability, and here it actually sells records.

The tune probably helps. ‘Tilted”s lyrics are great enough, a kind of slight misunderstanding of language that’s infinitely more interesting than cliche, but it’s that synth riff that’s become one of the signature motifs of the year. It sounds like a claymation bird peeking out of its nest first thing in the morning, at the start of an episode that ends with it befriending the worm it sets out to catch. Doesn’t it?

Obviously, my daughters all love it when they’re not arguing over who gets to ice the biscuits they’ve just made. Time for a test though: where are Christine And The Queens from?

Junior 3: “Newcastle?”