[9] Tubeway Army, ‘Are ‘Friends’ Electric?’

Hear that? Those are new gods marching over the pop scene to Prokofievian synth chords, punkbots on rollerblades gliding to a lipsticked new world order. You get the drift. Gary Numan may well have been a figure of fun – a slightly freakish, unsettling one, yeah – but what the hell did that matter to him when he was splicing Kraftwerk and Bowie templates to take his android aria to the top of the charts?

This sounds like the future, and it’s a lonely, terrifying one. In Numan’s high concept, “friends” are automatons, here to leaven the solitude and provide for, well, other needs. “Mine broke down,” he croaks and the flimsy tissue of solace rips apart around it. But the synth cycle transcends its forbidding tones and raises the song to epic status, delivering Queen-like rock in pure electronica. It’s stunning and still dominant even as Adina Howard, Richard X and Sugababes hijack it for their own saucy needs.

Back here in 2008, Junior performed all sorts of unlikely twists and turns to the music. It would’ve put my back out, but then, I’m not three. As we left the house 10 minutes later, she said “It’s cold outside.” Whoa.

[17] Queen, ‘Radio Ga Ga’

The brainchild of the producer’s producer Trevor Horn, the Buggles took this to No.1 in 1979 and invented Daft Punk in the process. It is often derided as a novelty record, but this poignant slice of early electronica broke barriers and melted video age hearts.

Oh SORRY, Roger, was ‘Radio Ga Ga’ inspired by your baby son’s infant ramblings? Silly me. Actually, Queen go a stage further and are nostalgic for good radio, not any old radio. They update their sound with the synths, but can’t resist a typical massed clapalong. Ah, it’s ok.

I’m going to record a song based on Junior’s newfound vocabulary. Entitled ‘Radio Dada’, it will be an absurdist conceptual piece railing against the bourgeoisie and the conservatism of Magic FM.