Junior says: “I used to give this one [thumbs-up], but now I give it two,” which is the point, really. ‘All My Friends’ improves with age, as do LCD Soundsystem, as does James Murphy, as do we all, even if it feels as if all that youthful vigour is slipping away along with our cool and our relevance in this cultural tumult. None of that periphery matters in the end, none of those mistakes, none of those false friends, and nor does it amount to a hill of beans if a plan comes apart or you’ve worn away your edge. Because in the end you’ve made it, and you can celebrate that with the other survivors.
‘All My Friends’ is brushed with regret, but its pace and build is thoroughly rousing. From the stabbed pianos – which immediately launch Junior into a pencil-straight staccato dance – to the warm, coaxing bass to the headlong, delirious clatter as it hits full stride, this is an anthem for pelting towards 40 at full speed. Bring it on. For once Murphy escapes his influences, sublime as they are (“Heroes”, ‘Once In A Lifetime’, yeah, ‘Love Vigilantes), because this is absolutely natural, no slavish imitation. As a piece of music it shares qualities as insubstantial as mood. As a piece of poetry it has its own heart.
Best bit: At each peak, another layer is added. Just when you think you’ve got it, it moves on and you’re left holding the first 10 years.